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Carlo Osvaldo Goldoni (, also US: , Italian: [ˈkarlo oˈzvaldo ɡolˈdoːni]; 25 February 1707 – 6 February 1793) was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty. His plays offered his contemporaries images of themselves, often dramatizing the lives, values, and conflicts of the emerging middle classes. Though he wrote in French and Italian, his plays make rich use of the Venetian language, regional vernacular, and colloquialisms. Goldoni also wrote under the pen name and title Polisseno Fegeio, Pastor Arcade, which he claimed in his memoirs the "Arcadians of Rome" bestowed on him.
Ultime grida dalla savana (lit. 'Final Cry from the Savanna'), also known as by its English title Savage Man Savage Beast, is a 1975 mondo documentary film co-produced, co-written, co-edited and co-directed by Antonio Climati and Mario Morra. Filmed all around the world, its central theme focuses on hunting and the interaction between man and animal. Like many mondo films, the filmmakers claim to document real, bizarre and violent behavior and customs, although some scenes were actually staged. It is narrated by the Italian actor and popular dubber Giuseppe Rinaldi and the text was written by Italian novelist Alberto Moravia.
This was the first film of Climati's and Morra's Savage Trilogy, which also includes Savana violenta (This Violent World) and Dolce e selvaggio (Sweet and Savage). Arguably the most notorious film of the trilogy, Ultime grida dalla savana became influential in exploitation cinema by use of cinematographic techniques that were repeated in numerous subsequent Mondo films. Two scenes in particular, a lion attack on a tourist in Namibia and the murder of an indigenous man by a group of mercenaries in South America, have gained notoriety as genuine footage of human death. The film also sparked a rivalry between the team of Climati and Morra and the brothers Alfredo and Angelo Castiglioni. These two teams became the forerunners of the second generation of mondo cinema.